Futo Akiyoshi
Adherence, Installation view at SEXAUER (Berlin), 2015, photo by Marcus Schneider
Futo Akiyoshi’s work explores the ways in which borderline from the painting practice is articulated through painterly relationships – from expressions of single gold color composed a spatial structure “Room”, an simply accumulated paints on a flat surface questions borderline between painting and sculpture “A Certain Aspect (Mountain)”, to layering the transparent color onto a transparent acrylic board exposes all the touch from the artists work “Naked Relations”. By investigating the deconstruction of the notion of painting, Akiyoshi positioning himself along with the idea of reconstructing the painting and its possibilities.
Adherence, Installation view at SEXAUER (Berlin), 2015, photo by Marcus Schneider
A Certain Aspect (mountain), 2014, oil on wood board, 45 x 45 x 20 cm, courtesy of SEXAUER
Room, 2009, oil on canvas, from left: 45.5 x 37.9 / 33.3 x 45.5 / 37.9 x 45.5 / 45.5 x 33.3 cm (a set of 4), courtesy of TARO NASU
Lost (Room), 2015, oil on canvas, 75 × 90 cm, courtesy of SEXAUER
Room, 2012. oil on canvas, 37 x 45 cm / each
A Faithful Antinomy, Installation view at Longhouse Projects (New York), 2013
Naked Relations, 2014, oil on acrylic board, 55 x 42 cm, courtesy of SEXAUER
Such a Luxurious Silence, Installation view at TARO NASU (Tokyo), 2011
Circumstances of the Adult, 2012, oil on canvas, 60 x 60 cm
Courtesy of the Artist
Futo Akiyoshi
www.futoakiyoshi.com
Courtesy of the galleries
Taro Nasu
www.taronasugallery.com
Sexauer
www.sexauer.eu
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