All in art
Francesco Pacelli, born in Perugia in 1988, is a contemporary artist based in Milan. He began his career as a designer. In his solo exhibition Nessun Boato, curated by Anni Wu at Limbo Contemporary and inaugurated on January 20, he catapults us into a dimension suspended between cosmic finitude and imagination.
Documenting the waste of the fashion industry artist Jojo Gronostay makes us rethink our relationship to clothes, waste and value.
Boris Acket plays God by programming synthetic thunderstorms, designing systems that operate beyond his control.
Steyerl turns the Osservatorio into a place of reflection on how we survive crisis. Through film and quantum logic, she looks at a world where deep history meets our digital future.
We visited Scuola Piccola Zattere in Venice, in the Dorsoduro district overlooking the Giudecca Canal, on the occasion of the opening of R.S.V.P. Résonnez, S’il Vous Plaît, a group exhibition open from 21 November 2025 to 6 April 2026. Here’s a look at our visit to Scuola Piccola Zattere, its fellowships, exhibitions, and the restaurant housed within the building.
In Julieta Tarraubella’s work, a flower lives under continuous vision. Time slows, care gains weight, and technology sustains life while quietly asserting control.
biuro is a shared world of entertainment and play. A physical and digital universe of characters, stories, and shifting formats, moving freely across images, sound, and fantasy.
Through personal footage and floral interruptions, Gerta Xhaferaj traces how memory survives power, censorship, and urban change, moving from authoritarian architecture to everyday social rituals.
Metallic vases and Bluetooth speakers occupy a central table at 10 Corso Como. Here, cameras record a landscape of synthetic nature, pulling the viewer into a loop of self-observation.
Bernhard Schobinger converts debris into amulets at 10·Corso·Como. This exhibition rejects industrial repetition, presenting unique jewelry and sculptures that prioritize raw material power over traditional market value.
Pauline Foessel on redefining contemporary and digital art collecting with 100 сollectors.
In a landscape of sudden accelerations and raw voids, Tirana Art Weekend examines the mechanics of storytelling. Artists use the fable’s structure to analyze memory, diaspora, and collective self-organization.
With a recoded pharmacy sign, Mathis Altmann reveals the intertwined relationship between the poisons and remedies of contemporary capitalism.
Artist Élie Autin embraces the Dionysian in full form.
Platform Dalí establishes a vital space for artistic and scientific convergence. By focusing on fundamental physical concepts, it drives the production of novel work through sustained, high-level exchange.
Anastasiia Ageeva and Daria Rzhavtseva explore how art, tech, and business converge, building new models for CreativeTech and shaping the future of cultural innovation.
Artist Charlie Thomas reveals the love language behind the rise of the extreme right.
The new FASHIONCLASH edition brought Maastricht into sharp focus through performances, workshops and collective actions that carried a clear sense of intention across the city.
‘Lick the walls to understand echoes’ creates a chamber where sound behaves like a living surface and invites the listener to study each tremor as a clue to human perception.
On the occasion of the Artissima 2025 fair and the art week, from October 30 to November 2, we went to see the proposals of independent spaces, galleries, and foundations.
