Lara’s new nude calendar probes the relationship between the person and his body in today’s Japanese culture, in a Tokyo sentō and other hidden indoors. What came out of it?
Lara’s new nude calendar probes the relationship between the person and his body in today’s Japanese culture, in a Tokyo sentō and other hidden indoors. What came out of it?
Bernardo, a Brazilian AI artist in Berlin, blends AI, dark beauty, and fashion for mesmerizing, unsettling art.
Artist and acrobat Isabelle Wenzel on subverting traditional photographer-portrait sitter relationship in fashion and exploring the social aspect of our relationship to self-care, relationships, and work.
Overly ornamented, yet desirable, the baked and decorated goods of the Berlin-based baker, rustcakes carry the attributes of a new aesthetic style and the Instagram fetish for the materialistic, curated chaos.
In the ever-evolving landscape of pop culture, Milan Games Week & Cartoomics reflects the universal commonality of pop culture as a unifying force.
Enigma is Meelly Mayden's ally, a tool to transcend societal norms and expectations. Her mystical and ethereal presence, coupled with poetic lyrics, challenges conventional notions. Meelly embraces the concept of shapeshifting, allowing listeners to craft their worlds within her immersive musical universe.
Geray Mena is a photographer and image-maker with a multifaceted and heterogeneous visual language.
Aïsha Devi after five years comes with a new album ‘Death is Home’ on Houndstooth, as most personal work so far. nurtures an idiosyncratic approach to her music. She describes her sound as Aetherave and uses bassy-heavy club motifs and intentional aesthetic signifiers to transport listeners to a dizzying, kinetic environment, harnessing timeless frequencies.
Rebecca Phillips is an experimental pop artist from London with a neoteric, multidisciplinary vision. She explores dysfunctional intimacy - fizzing idiosyncratic takes on the euphoria and alienation of modern life.
Paris-based artist Jimmy Beauquesne questions the positioning of drawing in the post-Internet era. Sacred and the pop figures mingle in a recontextualized narrative where fantasy leads a form of emancipation from art history subjects.
Exploring obsessions in an exclusive fashion editorial by Timothy Boué and Davide Andreatta.
Pauline Rip shares her thinking behind the project “Elficology: The Harvesting of Morning Dew” and how eco-fairy as a genre can help us approach the climate crisis from a different perspective.
Where opposing energies meet, balance emerges in the dance of two powerful women, echoing the Taoist symbol.
Maria Mavropoulou expands her photographic work to new forms of images, such as VR and screen-captured images, GAN and AI-generated images: an exploration into how we construct our digital identity and how we interact with the algorithms and their biases.
This exclusive editorial by Coeval’s team explores the million different ways people pee.
In conversation with Linn Phyllis Seeger, a “Cloud-based” artist bringing us through the cloud “as a warden of human memory”. What’s intimacy in the age of digital communication technology and across geographies and time zones?
“I would like to turn into a bot just to create work endlessly. The liberation of the weight of matter is interesting. The new electric souls have phenomenal powers, in addition to entering the era of high-tech robotics.”
In the enchanting realm of music, where melodies become the language of our souls, we find ourselves immersed in the ethereal soundscape of Gia Woods. With her latest single, "Somebody Else's Baby," unveiled from her eagerly anticipated EP, "Your Engine," Gia offers a glimpse into a world of sonic storytelling that is both deeply personal and universally resonant.
Showfooking focuses on visual content that goes to the detriment of logic, the container is valued over the content. A parallel between cuisine and graphics, between fiction and reality. An experiment of pure enjoyment.
