Julian-Jakob Kneer, the Paris and Berlin based artist, redefines the mirror of our cultural obsession through his enigmatic artistry.
Julian-Jakob Kneer, the Paris and Berlin based artist, redefines the mirror of our cultural obsession through his enigmatic artistry.
Introducing “You wont believe”, Monamobile’s debut collection which investigates the economies of attention dominating the current media-filtered landscape.
Focusing on celebrity culture and body modification, Siniša’s work digitally reimagines public figures (be they politicians or celebrities) with an irreverent and ironic eye.
Four girls based in Manhattan playing electro-dance-post-punk, pumping up Y2K and DIY styles and talking of sexual emancipation, gender and relationships are, from 2019, the Cumgirl8: a clickbait name “founded on the only emotions that seem to really affect people.. to be sexy and disruptive. Cumgirl8 is clickbait! First we draw you in; then we radicalize you”. They are Avishag Cohen Rodrigues, Chase Noelle, Lida Fox, Veronika Vilim: let’s mind their own business.
In early 2021, user-friendly tools for AI generation (like Dall-E 3 and Midjourney) were still mostly dreams of the future. Instead, I typed prompts into a google colab notebook. A bundled collection of code, triggered in the correct order to produce an image.
Introducing 4KHD, a collective of people and a continuous visual journey around the themes of cycling, navigation and the spaces in between.
From parading rats to women packaged in plastic. The question is: When does a show stop being fashionable and become a performance? We reflect on all this with 4 examples that reopen the debate of what is good and what is not.
From New Zealand to Hong Kong and now Paris, design-duo Batten and Kamp's practice merges nature with art and technology, creating pieces that reflect on their dynamic life and cultural experiences.
Blvck Minoh: Valley's dual talent in music and basketball, crafting emotive lyrics fused with punk ethos.
Darius Ou is a Singaporean graphic designer navigating the intersection of design, technology, and the book form.
Introducing “Double & Duality”, an exhibition on dichotomies and a visual dialogue between natural opposites.
By subverting the interfaces of softwares we use everyday, Katherine Frazer’s art practice demonstrates how to be the Creators of our own digital realm.
Digital sculptures and bodies with androgynous sexuality: SARGON KHNU tells us about gender fluidity in three dimensions.
Calculating Empires: a titanic, undismayed key to understanding technology and power in the centuries to today (and tomorrow). An exhibition conceived by researcher-artists Kate Crawford and Vladan Joler.
Produced in 2000, the movie is based on the novel "Tōhimu" by Ayako Fujitani, who also plays the female protagonist in the cinematic adaptation. Ritual is a film that captures the fragility of the human soul and the complex labyrinths of his troubled mind.
If the universe «is something like a spider or spit», what’s the contact surface? Probably an image. And considering that every mirror is repulsive (it pushes objects away, distances them from themselves), every image is a migration with no memory.
Kwn’s musical story starts decades ago in Walthamstow, when she came home from primary school one afternoon to find a drumkit waiting for her in the kitchen. ‘I was so happy,’ she says. ‘I remember feeling so lucky.’ It was the perfect gift for someone who lived, slept and breathed music.
Earlier this year, plygid, an experimental dance music virtuoso, guided audiences on a cosmic exploration with "Sensory Shell." This album, seamlessly blending jungle, IDM, and ambient elements, painted a futuristic audio landscape set in the year 3000. Following a summer steeped in Brooklyn's lively club scene, plygid returns with the mesmerizing sequel, "SSH: Remixes."
NICOLAS, a trailblazing force in electronic music, seamlessly blends the chaotic rhythms of the digital era with profound introspection. Born from the relentless pace of technological evolution, NICOLAS crafts genre-defying soundscapes that invite listeners into an immersive experience.
An interview with artist Brandon Tay exploring machinic animism at the intersection between digital art and visceral 3D sculpture.