All in 3d
“I think creating animation in a game engine gives you a special malleability in your work, stemming from being able to work in an environment that is already rendered, alive, textured, lit up. It gives what you’re doing at the moment more opportunity for mistakes. It illuminates directions that wouldn't ordinarily have been taken if you were rendering out every frame through an ordinary 3d renderer.” - Jack Wedge
Headdy makes your head spin: artist Matias Misael probes the uncanny valley with his new project.
Art as a ritual, a memorial, a secret handshake; multidisciplinary artist Nathan Harper on the nature of creating in a hyper-connected yet troubled world.
In a world shifting evermore to the digital realm, Aisha The Robot is an artistic representation of where society may be headed, and how we can work with, rather than against the rise of technology as creatives in the future.
Jesu Moratiel is a young talented multidisciplinary artist, who works with installation and sculpture, painting and 3D animations. He explores the intrinsic characteristics of the materials used for his creations: from the resin to encapsulate time, to the artificial and ephemeral aspects of his suggestive 3D animations.
If you know of NFT’s then you know digital art is fast becoming a new walk of life, Coeval Magazine uncover the life of a digital artist with Paola Pinna, who describes herself as a computer-generated soul.
The frailty of post-pandemic society coils into a whirlwind of psychedelia, @sabinavitter’s new photoshoot “Dissolving” is an offshoot of the fugitive difference between the virtual and real.
What was the dream about? “Alta Morte” is a 10 minute short film by Portuguese director Diogo Baldaia, relating the high-minded dream of a fictional football player playing in the Manchester derby.
Video Game NPCs (Non-playable Characters) eerily confront you in “Night of the Living”, a 3D-rendered assembly of freakish oddballs.
Anna Kreamon spoke to Coeval all about her practice as a digital fashion designer. Using digital as a tool to not just design fashion garments but also to create avatars which wear her clothes, whilst diminishing environmental factors, consumption and the costs of fabrics.
Olga Fedorova’s art is a reflection of our time and the ludicrous essence of being human.
Tabitha Swanson works as a multifaceted artist within creative technology, some of the outlets in which Tabitha immerses her creativity into include animation, AR and XR. Coeval speak to Tabitha all about her current works and upcoming projects.
Gabriele Maruotti, aka Body Snatchers practices as a 3D artist as he explores a range of different concepts inspired by the ordinary.
Chan Ka Yu Ruby lives infinitely in the air and on the internet as the ever-present spirit of Ruby 9100M and a narrative of the gaze of females by a female.
POC, plus size virtual model Nyota Kings perceives modeling as living art and virtual models as complementary to human models. She aspires to inspire women around the world.
South Korean fashion designer and 3D artist named Gwen Kim talks to Coeval about her practice as an up and coming artist in the digital world.
Brooklyn based artist Lauren Gorsky dreamt up a post-pandemic world and filled it with overgrowing fungi and disease. Against the desolate backdrop emerge mutated beauties that are the harbingers of new life.
Débora Silva is a sculptor who works in a digital format. Based in London, Débora uses the city to network and collaborate with like-minded people to create conceptual 3D figures.
Learning through discovery and dancing between emotion and his senses, Pet Liger’s most recent work emulates scents of sweet berries, citrus and metal works.
LifeCredit is a game created by multidisciplinary designer, Diana Ganea. The game features a dystopian future based on China’s social credit system.
