All in fashion
Innocent and without any restraints, Amelia Strawberry has been captured by Rosie Harriet Ellis showing a little bit of flesh in a Lolita-esque photo shoot ‘Cold Milk’. All that styled by Francesca Pinna with help from a set designer Gemma Thérèse Pearce.
Turtle necks, leather, velvet and military print. Space age is the first things that comes to a mind when we see Mari Bel wearing the orange red suit; story shot by Giulia Soldavini and styled by Josephine Melfi.
Fishnets and corsets dominate, while a modern vibe is advocated through letter printing and a plethora of earth-like colours. A hint of Victorian aesthetic drives a recherché awe about the entire collection.
The cold-toned pictures are mixed with a number of monochromes, echoing the confusion and frustration in the model’s eyes. Various bustier and corsets seem to be restraining her from movements, heightening a sense in insecurity and imprisonment.
The model casting is diverse, so as their outfits, but there is a denominator among them that is quite observable.
The pale-gold eye shadow, burnt orange satin curtain, and apricot wall have set the palpable nostalgic tone of these images. The girls have stepped on their crystal pumps, put on their embellished or printed dresses – ready for a party in this empty hall.
We can sense the exploration of masculinity and femininity, and the connection between humans and nature.
Shot in an old-fashioned apartment tucked away in Ludlow Street, New York City, these images unearth the inner world of a young boy. The slender body, satin ribbons, and white corset created a sense of vulnerability, which works harmoniously with the warm natural light.
The models marched out in protest in front of a nuclear power plant wearing a patch with the collection's motto: "Atomkraft? Nein Danke" (Nuclear power? No thank you").
Riccardo Tisci's collections have been very dark for many seasons. Even though the catwalk was filled with warrior-like models, this spring collection was suddenly more spiritual and happy.
A.P.C celebrated their 30th anniversary by presenting their SS2017 season with British influences.
Julian Zigerli created the "SORRY" who rocked the Palais the Tokyo. The show represented all the things we should and shouldn't be sorry for.
This season’s Maison Margiela focused on the craft of making, and the concept of reduction and artful deconstruction.
The Post-Humanism collection from the Boris Bidjan Saberi SS17 is a real match, yet mix between humans and machines.
Loose fitted crinkled suits, over-sized raincoats and tailored jumpsuits. Yusuke was inspired by Varanasi, the spiritual capital of India.
Bees, flowers, pollens – the nightmare of some people during haying season, are playfully incorporated in the delicate make-up of the model. Symptoms of allergy like watery eyes and red nose capture an awkward beauty, and inject a hint of vulnerability.
Ackerman said “It’s all about freedom” and so he pushed his dandy aesthetic towards the sportswear territory and didn’t leave one Pantone chart unexplored.
Glenn Marten’s pirates rocked the runway, set on a boat by the banks of Seine playing dub reggae and jamming tunes.
The show was held in the beautiful Palais de la Femme, a 1910 vintage charitable refuge for distressed women. Christophe Lemaire and Sarah Linh Tran went on a voyage and brought multicultural influences to this season.
The collection contrasted with sober textiles and sensual treatments in olive, white, ochre, orange, indigo and black. Stretched proportions that resulted in a softening between the female and male silhouette.
