Bags of Lay’s crisps collected over 3 years lead to “I Am Very Sick to my Stomach”: A cautionary tale of food addiction understood through fashion.
All in fashion
Bags of Lay’s crisps collected over 3 years lead to “I Am Very Sick to my Stomach”: A cautionary tale of food addiction understood through fashion.
Gravity defying designs and nature inspired textures make up the core concepts of Izzy Dus’ 2021 collection. From 3d printing accessories to how the business side of fashion is just as critical as the creative process.
In her first-ever interview, Lithuanian designer, Urte Kat, chats with coeval about the interiority of her world and the founding of her utopia.
A day spent traversing through the open roads of Milan: Sandra Tendo poses under the brilliant and sunlit Italian emanation.
“On Sundays We go…”, Rotterdam locals longing for and deprived of the nightlife atmosphere gather for a modern take on iconography.
“Ice Ephem” found its origins through Icescapes of mother nature and which are often replicated into visual spaces through 3D rendering.
Exploring fashion within realms of paradisiacal Hawai'i other lands, Jenny Liang talks about her history in creating clothes and constructing approaches towards their identity.
The Y2K prima donna from Mars descends come the landing of “The Alien Heiress” as London-based musician Chi Virgo is shot with a sphynx cat.
Garments as transitional thresholds to enter imaginary dimensions: REAMEREI and the potential of new visions.
LYUOCHENG FW21 capsule collection, “Lovesickness” is galvanized by Edward Scissorhands, the pining for a loved one, and the struggle to belong.
Imagery touched by Cthulhu Mythos, “Upside Down” is an imaginary dimension pervaded by both emptiness and chaos at once.
1 T-Shirt, 7 Looks: Leen Abu Eisheh explores and amplifies the unpretentious with resplendent styling.
Fanzine “Rose c’est la vie” exhibits today’s generation as a conglomerate with a running theme of the colour pink.
The combative spirit fueling Salvatore Vignola latest collection: how self-empowerment turns into fashion.
“TRIP”, post soviet fashion understood through a futuristic club culture consists of pieces of two NABA Milan students and illusory editing.
The potential of crochet creation: giving genesis to a garment through a completely handmade process.
“This World Sucks”: Stylist Valeria Chrampani channels raw glamour of early 2000’s fashion in a new existential project.
Like if the balance was complicate to do. Like if the line between what we could call “provocation” and the simple fact of dressed yourself and feeling beautiful was blurry.
From the vintage to the present, from the performance vibe of the 80s and 90s to the queer spirit of Berlin today: MODOMORPHO and the process of transformation.
Mutable objects confronting the habitual notions of movement and structure: shoes as creatures.
