Wolfgang Joop exaggerates the femininity by interpreting the sensuality of Spanish Baroque. He presents a rebellious woman dressed in luxurious men’s fabrics, fluid slip dresses and contrasting colors.
All tagged donaldgjoka
Wolfgang Joop exaggerates the femininity by interpreting the sensuality of Spanish Baroque. He presents a rebellious woman dressed in luxurious men’s fabrics, fluid slip dresses and contrasting colors.
From what seemed to be a 70's disco club emerged in red dimmed lights, transformed into an almost spiritual vintage story of velvets, prescious flower embroderies and princess silhouettes worn together with macro shaded glasses. Alessandro Michele made the flowers whisper.
The capacity to build knowledge through individual reflection of external stimulations and sources, and through personal re-elaboration and experience in light by interaction with others and the environment.
What it takes to me a modern woman? Conceptual styling with a twist paired with unusual details that we don’t see on a daily basis: an earring in a shape of a giant safety pin or a bag that is made to look like a road sign, for instance. Here, Helena Prestes has been captured in the lense of Donald Gjoka and styled by Emrecan Sandal.
Fishnets and corsets dominate, while a modern vibe is advocated through letter printing and a plethora of earth-like colours. A hint of Victorian aesthetic drives a recherché awe about the entire collection.
The model casting is diverse, so as their outfits, but there is a denominator among them that is quite observable.
The models marched out in protest in front of a nuclear power plant wearing a patch with the collection's motto: "Atomkraft? Nein Danke" (Nuclear power? No thank you").
Riccardo Tisci's collections have been very dark for many seasons. Even though the catwalk was filled with warrior-like models, this spring collection was suddenly more spiritual and happy.
Julian Zigerli created the "SORRY" who rocked the Palais the Tokyo. The show represented all the things we should and shouldn't be sorry for.
This season’s Maison Margiela focused on the craft of making, and the concept of reduction and artful deconstruction.
The Post-Humanism collection from the Boris Bidjan Saberi SS17 is a real match, yet mix between humans and machines.
Loose fitted crinkled suits, over-sized raincoats and tailored jumpsuits. Yusuke was inspired by Varanasi, the spiritual capital of India.
Ackerman said “It’s all about freedom” and so he pushed his dandy aesthetic towards the sportswear territory and didn’t leave one Pantone chart unexplored.
Glenn Marten’s pirates rocked the runway, set on a boat by the banks of Seine playing dub reggae and jamming tunes.
The show was held in the beautiful Palais de la Femme, a 1910 vintage charitable refuge for distressed women. Christophe Lemaire and Sarah Linh Tran went on a voyage and brought multicultural influences to this season.
The collection contrasted with sober textiles and sensual treatments in olive, white, ochre, orange, indigo and black. Stretched proportions that resulted in a softening between the female and male silhouette.
Sleek, sleek, sleek. The glossy hair matched the shiny tailored leg trousers, long trench coats and the clean colour palette. Jil returned to her true founding principles and roots — nineties minimalism.
Shadows raised from the post-Soviet concrete silhouette and out marched a gang of perfectly casted prodigies. Dressed in acrylic tracksuits, heavy silver chains, stuffed in Fila sweaters and mullet cuts, Gosha took us back to a school yard somewhere in the Soviet union in 1984.
A dialogue between masculinity and femininity that challenges our perception of how women are supposed to look, behave and think today.
