Natalia Loves To Hate And Hates To Love.
Natalia Loves To Hate And Hates To Love.
A scenario brought to you from the suburbs of Tel Aviv, Israel, where this multitasking photographer/stylist was on a trip to visit his relatives.
This Brazilian trash princess updates us on her thrift shop addiction, her awkward dance moves and life in the dirty, chaotic streets of Brazil.
Dive deep inside the minds of this spicy circle of mates from the Brazilian underground fashion scene.
A pick ’n' mix of miscellaneous garments: sporty football boots, neon green tights, a pleated Scottish kilt and a detachable orange waterproof hood.
Stockholm based musician and creative opens up her world.
Our main inspiration continues to flow from the past, what exactly does it mean to be original nowadays?
You Wish You Were Patrick Welde.
Meet the scent junkie dragon mom who paints serpents, demons and angels.
A Moment of Innocence (1996)
A representation of the 21st century African woman.
Zaina Miuccia AKA @SpookyLarryDavid420 would rather be frolicking in a field of flowers with the real Larry David and a Blink182 tramp stamp.
We love our whacky Jackie. She is a fashion girl and is not tacky. Her hair is long, her teeth are white but it's her laugh that lingers on through the night. She is whacky, she is cooky, she is sweet and she is spooky. Yes we love our whacky Jacky for she is everything except for tacky.
Amsterdam-based Piet Langeveld discusses art, clothes, and fake brands.
Nigerian visual artist and photographer, Fatimah Tuggar’s works present a collaged reality of West African and Western motifs, a world where African is not a homogenous identity, where tropes of class, race and religion may differ without colliding.
Authentic and fresh, Portraits of Adolescence captures the energy and uncertainty of youth.
Russian-Ghanaian photographer Liz Johnson Artur’s candid shots portray the black experience unrestricted by the mould so often replicated; presenting personalities in all their grace, the nuanced spirit of blackness is alive and free.
Bored of selfies, Mia started to record herself. Mostly because you can pack more information into a video.
Salò, or the 120 Days of Sodom (1975)
Vicente Mollestad, on identity and violence and the possible beauty of it all.