INTERVENTION V returns to Berlin on February 2nd. Kraftwerk Berlin hosts runway presentations, TED's first fashion salon, and four days of cultural programming across the city.

Three installations by Mona Hatoum inhabit the Cisterna's former distillery tanks. Glass spheres form webs and maps; a metallic grid collapses and rises. Beauty conceals danger. Reality becomes questionable.

C.P. Company builds urban wear as infrastructure. Nano Titanium and Micro-Tek fabrics form protective layers between body and city. Functional design meets technical precision in Fall/Winter 026.

From the edges of music genres to cross-media experimentation, Kayla Trillgore turns the liminal into a multifaceted exploration of technology and desire, unfolding her research piece by piece towards her new EP, NEWMETAFLESH.

Laura Beham and Callum Pidgeon reconstruct deadstock into rigorous silhouettes. The Fall Winter 2026 collection utilizes archived silks and military surplus, favoring anonymity and deliberate, floor-length tailoring over trends.

Francesco Pacelli, born in Perugia in 1988, is a contemporary artist based in Milan. He began his career as a designer. In his solo exhibition Nessun Boato, curated by Anni Wu at Limbo Contemporary and inaugurated on January 20, he catapults us into a dimension suspended between cosmic finitude and imagination. 

Documenting the waste of the fashion industry artist Jojo Gronostay makes us rethink our relationship to clothes, waste and value.

The North Face introduces Summit Series Advanced Mountain Kit Black Edition, a precise system for extreme terrain, built for darkness, risk.

Boris Acket plays God by programming synthetic thunderstorms, designing systems that operate beyond his control.

Stone Island Prototype Research_Series 09 treats knitwear as a testing ground, where lamination, colour, and structure meet under conditions of extreme precision.

Steyerl turns the Osservatorio into a place of reflection on how we survive crisis. Through film and quantum logic, she looks at a world where deep history meets our digital future.

Rooted in instinct and adaptation rather than strategy, Sophia Stel’s music captures the quiet weight of everyday moments, the ones that slip by if you’re not looking closely enough.

Cyclically, for the past fifteen to ten years, Korea has returned to Western theaters to confront the theme of capitalism with the excess that distinguishes its cinema. In 2025–26, Park Chan-wook, born in 1963, returns to the screen with a forceful film about the role of work.

As a rare ray of sunshine in the darkness of European winter, ORUN hosted their ‘Heirs of Greatness day’ and ‘Heirs of Greatness Night’ to showcase independent African designers, a film screening of ‘Build to Outlast Time’ and an immersive dinner, in Casablanca.

We visited Scuola Piccola Zattere in Venice, in the Dorsoduro district overlooking the Giudecca Canal, on the occasion of the opening of R.S.V.P. Résonnez, S’il Vous Plaît, a group exhibition open from 21 November 2025 to 6 April 2026. Here’s a look at our visit to Scuola Piccola Zattere, its fellowships, exhibitions, and the restaurant housed within the building.

In Julieta Tarraubella’s work, a flower lives under continuous vision. Time slows, care gains weight, and technology sustains life while quietly asserting control.

The Vertigo program investigates the friction between the body and systemic collapse. Through diverse performances, 3hd 2025 offers a study of how individuals maintain balance within increasingly environments.

biuro is a shared world of entertainment and play. A physical and digital universe of characters, stories, and shifting formats, moving freely across images, sound, and fantasy.

In a world loud with image, Casella Meyer speaks in material. Tailoring becomes declaration, fabric a quiet manifesto. Introspection drives every stitch.

Through personal footage and floral interruptions, Gerta Xhaferaj traces how memory survives power, censorship, and urban change, moving from authoritarian architecture to everyday social rituals.

Metallic vases and Bluetooth speakers occupy a central table at 10 Corso Como. Here, cameras record a landscape of synthetic nature, pulling the viewer into a loop of self-observation.

Bernhard Schobinger converts debris into amulets at 10·Corso·Como. This exhibition rejects industrial repetition, presenting unique jewelry and sculptures that prioritize raw material power over traditional market value.

Ultracinema Art Festival 2025 makes a strong start. Though niche, what one encounters is a hulking presence that refuses to compromise. A body, a hybrid of bodies, for an audience conscious of what bodies are within cinema.

Pauline Foessel on redefining contemporary and digital art collecting with 100 сollectors.

Carhartt WIP and Salomon return with the X-ALP, a resilient silhouette shaped by material rigor, technical precision, and a campaign set within a fractured, remote terrain.

Hélène Vogelsinger explores sound as a living force, transforming abandoned and monumental spaces into resonant worlds where architecture, memory, and vibration meet.

In a landscape of sudden accelerations and raw voids, Tirana Art Weekend examines the mechanics of storytelling. Artists use the fable’s structure to analyze memory, diaspora, and collective self-organization.

Through books and archival images, Gabritvb brings Italian Gabber and Hardcore Warriors back to life, capturing a 90s subculture defined by music, style, and raw energy.

A chat with the French designer about what he thinks about the future, getting labelled, and the ambivalence of being a Gemini.

With a recoded pharmacy sign, Mathis Altmann reveals the intertwined relationship between the poisons and remedies of contemporary capitalism.